Architect for Alderley Park scheme, Robert Adam receives major architectural prize


Architect for Alderley Park scheme, Robert Adam receives major architectural prize

Robert Adam named 15th Richard H. Driehaus Prize Laureate

Robert Adam, director of leading Classical and Traditional architect practice ADAM Architecture and an architect known for his scholarship as well as his practice, has been named the recipient of the 2017 Richard H. Driehaus Prize at the University of Notre Dame, the highest value architecture award in the world.

Adam, the 15th Driehaus Prize laureate, will be awarded the $200,000 prize and a bronze miniature of the Choregic Monument of Lysikrates during a ceremony on Saturday 25th March 2017 in Chicago. Previous winners of the Driehaus prize include Leon Krier and Quinlan Terry.

The Richard H. Driehaus Prize at the University of Notre Dame in Indiana USA, was established in 2003 to honour lifetime contributions to traditional, classical and sustainable architecture and urbanism in the modern world. The prize is awarded annually to a living architect whose work has had positive cultural, environmental and artistic impact in keeping with the highest ideals of classical architecture in contemporary society.

“Throughout his career, Robert Adam has engaged the critical issues of our time, challenging contemporary attitudes toward architecture and urban design. He has written extensively on the tensions between globalism and regionalism as we shape our built environment,” said Michael Lykoudis, Driehaus Prize jury chair and Francis and Kathleen Rooney Dean of Notre Dame’s School of Architecture. “Sustainability is at the foundation of his work, achieved through urbanism and architecture that is respectful of local climate, culture and building customs.”

"Robert Adam has made seminal contributions to establishing a dialogue between tradition and modernity," said Richard H. Driehaus, founder, chairman and chief investment officer of Chicago-based Driehaus Capital Management LLC. "He has had tremendous success by experimenting with contemporary materials and methods within the context of local and regional traditions."

Adam works with clients on a wide range of projects including master planning, public and commercial buildings, extensions to historic buildings and private houses.
He is the author of numerous essays as well as books, most notably Classical Architecture: A Complete Handbook (1990), The Globalisation of Modern Architecture (2012) and Classic Columns: 40 years of writing on architecture, which will be published at the end of January 2017.

Adam is a Fellow of the Royal Society of Arts, an Academician at the Academy of Urbanism, a Senior Fellow of the Prince's Foundation for the Built Environment (Heritage) and founder and past-Chair of the College of Chapters at INTBAU (UK). He has been a Royal Institute of British Architects (RIBA) award judge for nine years, was twice elected by membership to the governing RIBA Council, and from 2001 to 2003 became Honorary Secretary, at which time he founded the Traditional Architecture Group.

Robert Adam received his architectural education at Westminster University and was a Rome Scholar in 1972-3. In 1977 he became a Director of the architectural and urban design practice now known as ADAM Architecture. Adam was active in the founding of the International Network for Traditional Building, Architecture & Urbanism (INTBAU), an organization established in 2001 to connect organizations and practitioners interested in traditional architecture and urbanism and bring their ideas to a wider audience.

The award ceremony on March 25 will also honour the Henry Hope Reed Award laureate, James S. Ackerman, who until his death several weeks ago was the Arthur Kingsley Professor of Fine Arts Emeritus at Harvard University. Perhaps best known for his studies of Michelangelo and Palladio, Ackerman produced an extensive body of original scholarship, skilfully written and carefully sourced. Ackerman received his bachelor’s degree from Yale in 1941 and went on to further studies at New York University, earning a master's degree in 1947 and doctorate in 1952.

“James Ackerman’s immense contributions to contemporary understanding of Renaissance architecture have greatly influenced not only the field of architectural history but the practice of architecture today,” stated Driehaus. “His work brought the past to life, allowing generations of architects to learn from the early masters of the craft.”

Recipients of this year’s awards were selected by a jury composed of Adele Chatfield-Taylor, president emerita of the American Academy in Rome; Robert Davis, developer and founder of Seaside, Florida; Paul Goldberger, contributing editor at Vanity Fair; Léon Krier, architect and urban planner; Demetri Porphyrios, principal of Porphyrios Associates.

Adam also releases his latest book, Classic Columns today which presents the highlights from forty years of thinking, researching and writing about architecture.

The main themes of Classic Columns are tradition, Classicism, place-making, new housing, heritage, and globalisation. All the contributions are characteristically clear-thinking and thought-provoking. This volume collects together pieces that might otherwise be lost in the back numbers of various publications, making them accessible to other architects, historians, and general readers interested in the social and architectural debates of our time.

Extract from foreword by Sir Robert Scruton:
“No architect has been more vociferous than Robert Adam in advocating a return to traditional forms, materials and scales, or in emphasising that these things do not exist because architects once imposed them but because people have always wanted them. … Classicism is … the natural voice of civilisation, the voice of the city itself. This voice speaks through Robert Adam, both through his writing and through his buildings. The essays in this book illustrate that idea in agreeable and instructive ways.”

“This book is essential reading for all who want to fully understand the architecture of late 20th and early 21st century Britain. Adam is that rare thing - a talented practitioner who is also an able writer. No one is in a better position to tell the story of Britain’s often little known and misunderstood ‘alternative’ modern architecture.”
Dan Cruickshank, Architectural Historian

“Modernists complain that Adam is fighting past battles. It is exactly those who are still under the spell of their dated slogans who need to read Adam’s very perceptive and, to some, very upsetting book.”
Léon Krier, Masterplanner for Poundbury, Dorset, England

“In this spirited collection, architect Robert Adam takes on buildings, urbanism—new and old—globalization, and his own profession. Though Adam’s practice is best known for its accomplished Classical work, he makes a convincing case that tradition and modernity can and do coexist happily in the present-day world. Recommended reading for anyone interested in an intelligent analysis of our complex modern condition.”
Witold Rybczynski, Author of How Architecture Works: a humanist toolkit (2013)

“Informative, stimulating, and provocative over four decades, Robert Adam starts architectural conversations that you would like to continue.”
Paul Finch, Programme Director, World Architecture Festival